The rise of cryptocurrency has created a situation where there are almost too many alternative investment options
INVESTMENT RULES FOR FILM SLATES THAT GUARANTEE HIGHER PROFITS+STOCK
NO BLIND SLATES - KNOW EVERY SCRIPT - KNOW EVERY BUDGET
INVESTMENT RULES FOR FILM SLATES THAT GUARANTEE HIGHER PROFITS+STOCK
PAY ACTORS AND WRITERS A PERCENTAGE OF BOX OFFICE GROSS
THE FIRST FILM IS FOR AWARDS, IS LOW BUDGET, GETS INTO FILMING FAST
ORIGINATE DEAL IN SINGAPORE (SAVE BIG IN TAXES)
USE BLOCKCHAIN TO PREVENT ADVERTISING FRAUD
USE SINGAPORE OR CHINA CO-FUNDING IF AVAILABLE
REALIZE HOLLYWOOD’S SYSTEM IS RIGGED – DON’T PLAY THEIR GAME, YOU HAVE LEVERAGE NOW
CUT OUT THE EXTRA MIDDLEMEN+STUDIOS: LESS LAWYERS/HIGHER PROFITS/FASTER START
USE BLOCKCHAIN TO PREVENT PIRACY
PAY FOR A COMPLETION BOND
RISK NEVER GETS REMOVED, PRODUCERS JUST HIDE IT,+ TAKE IT FROM YOUR FINAL PROFIT
SHARE 50% OF I.P. RIGHTS ROYALTY w/ C.F.FILMS = PROFITS, STOCK VALUE UP
USE BLOCKCHAIN TO PROVE LEGIT BOX OFFICE REVENUE
NO CROSS- COLLATERALIZING LOSSES
AGENTS PROFIT BY INCREASING BUDGETS AND DELAYING STARTS
KNOW THE BUDGET IS VETTED BY 2 PARTIES
NO FOREIGN PRE-SALE AGREEMENTS
CONTROL AND LIMIT AGENCY GAMES AND BETRAYALS
EVERY SLATE INCLUDES A TV OR STREAMING SHOW YOU CO-OWN
FIRST RIGHT OF REFUSAL ON SEQUEL. NO SEQUEL BUDGET SUPER-HIKES.
NO AGENCY PACKAGING
AVOID SAG/UNION WAR BY CREATING FUNDING OUTSIDE OF U.S.A.
AVOID MEGA-BUDGETS, GO FOR SWEET SPOTS, RISK USING NEW ACTORS
PUBLICITY, MARKETING, AND INTERVIEWS
In 2020, the United States fell from its perch as the world’s top box office
•The NFT market is poised to become a trillion-dollar sector, according to experts •As demand
Technology moves, adapts, and evolves at a pace faster than most human beings, and Blockchain’s
Who is Scott Morgan? Scott Morgan grew up mostly in S.F. and D.C., opened several
Entertainment Wars- China vs Hollywood- Insight from Award-Winning Director and Entrepreneur Scott Morgan
By Jules Lavallee Los Angeles, California (The Hollywood Times) 2/10/2021 – Scott Morgan is an award-winning director,
To begin understanding the value and also risks related to NFT’s, let’s consider a few
Scott Morgan of Crypto Integrity Tao & Creativity First Films On The Top Challenges and Opportunities of Doing Business In China
No force, leader, or nation benefits from prolonged war. The phrase “Trade War” engages politics,
Scott Morgan, an award-winning director, entrepreneur and founder of Creativity First Films, to discuss how
As the whole of humanity has been dealing with a public health crisis and its
Scott Morgan, a blockchain consultant, entrepreneur and the Founder and CEO of Crypto Integrity Tao spoke to
In the last few days, Bitcoin (BTC) was priced over $26,000, considerably up on the year, especially compared to the big March drop that saw it reach just north of $5,000.
Six Blockchain Predictions for 2021 December 29, 2020By: Scott Morgan, Founder And CEO At Crypto Integrity
Deadline Hollywood Magazine Interview
Scott Hadley Morgan Interdependence PR Interview
THE MANY WAYS BLOCKCHAIN CREATES A HEALTHIER AND MORE PROFITABLE FILM AND MEDIA INDUSTRY
Investing in film and media can be incredibly profitable. What prevents major profits for Asian investors in this arena are the following issues:
- Inflated budgets.
- Fake and inflated advertising charges.
- Foreign pre-sales rip off the largest foreign investors.
- Inferior storylines, no original franchises offered.
- Over-reliance on overpriced superstars that failed to deliver profits.
- Too much focus on mega-budgets, missing China’s best profit category.
- Foreign investors were prevented from owning I.P. for royalty shares.
- Not enough projects shot in China or Singapore.
- Too many profit-sharing execs, producers, and middlemen.
- Most Hollywood players over-promised, and didn’t deliver agreed number of films/shows.
blockchain prevents problems 1, 2, and 3.
creativity first films system prevents problems 4, 5, 6, 7, 8, 9, and 10.
they must be launched together as one functioning organism-environment.
HOW BLOCKCHAIN’S TECHNOLOGY INCREASES PROFITS BY PREVENTING LOSSES
One of the dirty secrets of Hollywood is that Studios and Distribution Companies inflate how much they spend on Advertising. It would be easy to cite a dozen examples of fake advertising costs per film – just believe this is true.
It is estimated from outside sources specializing in Advertising and Marketing that as much as 40% of traditional Advertising is faked, and a staggering 60% of online advertising on Social Media or Search Engines is fake or bots.
There are several Technology companies that created Blockchain advertising tracking systems much like the highly successful
tracking systems by IBM/Maersk that save billions in shipping, cargo tracking, insurance, and escrow. Advertising fraud is over, that money gets shared by the investors. However, this System must be included from the start of the deal.
Blockchain is the last thing that established Studios and Producers would want to begin using (reveals their secret slush fund.)
Creativity First Films will engage successfully 3rd party Blockchain advertising tracking and also pay for the advertising directly, which prevents fraud and delivers what could be tens of millions in profits to the original Asian/U.S. co-financial investors.
PIRACY AND I.P. THEFT
There are fantastic anti-piracy and I.P. Protection Blockchain DLT’s – we use them to guarantee higher R.O.I. to our investors.
This translates to millions of dollars per film or Streaming/broadcast series for Asian and U.S. Investment Partners.
OTHER SOURCES OF HIGHER PROFIT FOR CREATIVITY FIRST FILMS AND ITS HOLLYWOOD, TECH, AND ASIAN FUNDING PARTNERS.
Singapore and New Zealand both have special low taxation rates for international box office and royalties from Merchandise, Theme Park Rides, Music, Toys, and licensing/royalty fees. Tracked by Blockchain.
By originating the deal in Singapore, up to 20% of global royalty revenue and box office will be saved, and this becomes long-term profits for an investor in on the deal.
The announcement of superior Media Content deals result in a jump in stock value on Exchanges for Asian Studios, Telecoms (SingTel, Swisscom) and funds like Temasek Holdings. The long-term revenue from royalties and sequels stabilizes the investor company’s stock value, which is how Disney became the global entertainment leader in revenue and stock valuation.
Securing the Original Content of “House of Cards” as the first player is also how Netflix began its journey from being worth $1 billion to $85 billion, a 600% increase in ticker price, and 109 million subscribers.
Creativity First Films sets up this type of film financing for Asian/Singapore investors, who now would have the leverage over the deal with U.S. Entertainment Partners. Owning 29 series, C.F.F. builds long-term R.O.I. like Freemantle Media, which made $7.7b profit in 2019.
SCREENPLAY, TELEVISION, AND STREAMING
LOGLINES FOR SLATES OF PROJECTS
GENRE – FAMILY/YOUTH ACTION ADVENTURE/SHOT IN SINGAPORE
Two Singapore boys find a bag of spy equipment and discover the developer of their favorite park plans on making it a toxic waste dump, so they use the spy tools to get evidence of fraud and bribery, barely get through hilarious action and suspense set pieces, ultimately saving the day and making a great example for SAVE THE PLANET. This family action-adventure film bursts with the virtues of doing the right thing as it shows how even a kid can make his neighborhood better and family safer. R.O.I. ASSETS: Toys, Music, Theme Park Kiosk, Merchandise, Apps, Games, Sequel, will be shot in both English and Chinese. Story by and Screenplay Co-Writer: Bruce Tan
GENRE – TEEN COMEDY-ACTION/ROAD FILM/SHOT IN U.S.A.
Two bumbling 20’s guys are given their ultimate task of driving a secret formula across the country. They meet the girls of their dreams in Vegas, escape a mob after them, and against ridiculous odds survive outrageous deadly set-piece traps and get to Miami in time for a convention, all the while chased by what has to be the most inept Mafia heir alive, and win the grand prize – all the time simply living by the motto, “Believe.” R.O.I. ASSETS: Music, Merchandise, Sequel. Story by and Produced by Devin Haman, Jeff Bozz. Screenplay by Scott Morgan
GENRE–TEEN, GAMERS, HORROR
It’s the week of the Gaming Olympic finals in the U.S.A. and leading gamers bend all the rules to win, including our team that trains on an immersive yet banned Virtual Reality Montauk Chair, which opens a portal to wicked energy that manifests the worst gaming nightmares any players imagine, killing off players until the last two outsmart the beast before he infects every gamer in the Gaming Olympics, in what can only be described as the most graphic merging of Gamer evil and reality. R.O.I. ASSETS: GAMERS ARE A HUGE AUDIENCE, TEEN HORROR/SUSPENSE A HUGE MARKET, GAMES, APPS, MUSIC, MERCHANDISE, SOFTWARE. Story by and Screenplay Co-Writer, Sam Chernin.
GENRE – REALITY SHOW, BASED ON TRUE LIFE, USA/CHINA
Kevin James was the former lead player for the Harlem Globetrotters, and years ago he be-friended a high school boy that tried to kill himself because he was being bullied. Kevin’s friendship elevated the boy and led him to a successful life. Kevin has done this with dozens of boys and girls that are bullied, with all of them rising out of their troubles to find self-esteem and potential. This fantastic true story is the basis of a Reality Show in which Kevin (and his basketball partner and playing Guest Star) travel the U.S.A. saving kids from bullying. There will also be an identical show shot in China, also using pro sports players, who will be Chinese. R.O.I. ASSETS: Merchandise. Story and Pilot Co-Writer: Kevin James.
RUN FOR IT!
GENRE – FAMILY CHRISTMAS ACTION FILM, 1/3 OF IT ANIMATED
The top Engineer for the theme park of the future gets to take his family and 15 reporters on a test run of their Virtual Reality Theme Park, but things turn way too real, as they must escape the three levels of the crashing reality, which puts them in the middle of the Super Bowl, the greatest disasters in history, and they turn into their favorite ocean-then-land animals to escape hunters – with the theme being “A family that loves and sticks together can defeat anything their minds conjure up!” R.O.I.
ASSETS: With only 1/3 of the film animated, this delivers all the Merchandise and Theme Park Ride rewards at a fraction of the cost of 90 minutes of animation. THEME PARK RIDES, SEQUELS, MERCHANDISE, APPS, GAMES. Story by and Screenplay Written by Scott Morgan
GENRE – ZOMBIE ACTION COMEDY/ART BUFFS
When a reserved couple inherit their Uncle Fred’s resort in Georgia, they find out it’s a nudist colony that makes millions yearly, and on their first week trying to adjust, a hurricane hits trapping a film school crew that must shoot a zombie movie in two days, so they use the hurricane and nudist resort as a comedy-action backdrop, with the theme of the film changed so that all zombie scenes are take-offs on the great art masterpieces like The Last Supper, David, Sistine Chapel, The Scream, American Gothic, Whistler’s Mother, and even Picasso’s wild faces, delivering a unique twist. Meanwhile, the National Guard and Governor are
monitoring their radio frequency. They think a zombie plague is really happening and the Gov
needs to look like a hero. So they rush in to save the day in the greatest mistaken identity screw
up of their careers.
R.O.I. ASSETS: Inexpensive to film, one location, zombie movies have a huge following, translates well in all languages. MERCHANDISE, GAMES, APPS. Story by and Screenplay Co-Writer: Fred Kirkpatrick.
GENRE – TRUE LIFE, BIG ACTION COMEDY, OLD WEST
A traveling “Magic Elixir” carnival showman stumbles upon the greatest true-life attraction of the late 1800’s when he stages train crashes that draw a hundred thousand people from as far away as Boston, and all is going great with his band of wayward Church scammers, his
amused Indigenous American, and recently-freed Chinese laborer. But then a devious U.S. Railroad Marshall joins them and the rivalry pits these two death-wish players in a showdown, that just happened to be where a new Presidential nominee set up his final victory spot, and the explosive ending sends all these reckless characters running off to hide. R.O.I. ASSETS: Incredible action set pieces, filmed in China at Hengdian Studios on their Old West sets. THEME PARK RIDES, CAN BE SHOT IN BOTH ENGLISH AND THEN IN CHINESE WITH ALL CHINESE ACTORS. Story by and Screenplay Co-Writer: David Rosten.
GENRE – TRUE LIFE, AMAZING JOURNEY OF A KURDISH BOY THAT TRAVERSES EUROPE, WORKS UNBEARABLE JOBS, TO ULTIMATELY BECOME A SUCCESSFUL BUSINESSMAN IN CALIFORNIA.
A rare and emotional look at the life of a brilliant Kurdish boy that barely escapes several deadly events in history, earns a degree in Engineering, crosses the Alps on foot, works his way up in France, then chases the woman he falls in love with, miraculously finding her in California, where they marry and raise a family with his American/Kurdish success story. R.O.I. ASSETS: Awards, Film Festivals, strong European and Middle Eastern fanbase. Story by and Screenplay Co-Writer: Patrick Audenis
GENRE – FAMILY MAGICAL ADVENTURE, 1-HOUR SERIAL DRA-MEDY
You get to be your son’s best friend for a whole summer when he is 12 – isn’t that fantastic? This is the wonderful, mystical secret of the 100-year old Hamilton Hotel at the North end of the Jersey Boardwalk. The hotel was built in 1920 by the first immigrant in the family, who brought with him hundreds of pieces of a mansion destroyed in WWII. Locals always thought the original mansion built by a genius from Egypt was haunted. Great-great-great-grandfather Robertson was an alchemist that knew he was using the ancient Egyptian secrets of music as a force of science to create a Time Warp. This secret ritual of running the hotel is passed down to every Father down the family tree. For five years, the next generation of a Father (Benjamin this time) turns into a boy the same age as his son (Peter.) Benjamin realizes when he was 12, his own Father became his best friend in the 1970’s. Now it’s his turn. The magic only works for the 3 months of summer. So each season is a summer, from Memorial Day to Labor Day. The episodes follow the two boys on their adventures in the Hotel and around the Boardwalk. Benjamin gets to see life through his son’s eyes, and share wisdom to shape him into a fine young man. This fantastic journey enriches fans with family bonding, Fatherly love, the awkwardness of growing up, and the special friendships we all have around age 12. The voice over in the episodes clarifies the lessons the Father learns by seeing life from a fresh, young perspective, which will help parents bridge the gap to connect with their own children watching the series and magic unfold. The Hamilton Hotel comes with an Egyptian Sphynx Cat named Loki that becomes the daughter’s best friend and helps protect the family as they enter mystical moments together. The magic may be in the Hotel, but really it is the love between parents and children.
GENRE – ACTION-SUSPENSE 1-HOUR DRAMA, FEMALE LEAD. Rose is 30 years old, lives in Mendocino County, and runs a trained falconry business that keeps predators away for the local farmers and vintners. When a Kuwait Prince (60) moves into the area, he recognizes that Rose is the royal heir that disappeared from Kuwait 25 years ago, before she was being sold off as a bride because she bears a prophecy birthmark that would make her Prince husband the next King. This suspenseful mystery unfolds, drawing in her “father” Carl (a retired Black Officer) that smuggled her out of an extremely abusive palace to save her life. The Prince now has the power to assume Royal rule, but must kidnap Rose and kill Carl, forcing a deadly cat-and-mouse game that revolves around the international sport of falconry. R.O.I. ASSETS: AWARDS, MERCHANDISE.
GENRE – 1-HR. SUSPENSE DRAMA SET IN AUSTIN, TEXAS
When an old couple dies, their “children” (a young man and woman in their early 30’s) find out they’re really “missing children” from another family tree living in Boston, but quickly find out that their relatives are the most cunning, ruthless, and dangerous con artist team imaginable, forcing the “children” to out-smart and stay one step ahead of career killers and scammers who try to spread their evil web of crime in Austin society and politics. R.O.I. ASSETS: A very original storyline filled with suspense over what’s really going on, how deadly are these relatives, and can the “children” play this dirty and survive long enough to rid themselves of this nightmare? Terrific roles and setting, positive social messages, high-tech gadgets make for intense plot twists. Story by and Developed by, and Pilot Co-Writer: Lisa Berman.
GENRE – 1 HOUR SUSPENSE/DRAMA
Tanner Cleary (late 20’s) works out of a Washington D.C. “think tank” dedicated to preserving endangers species and natural artifacts, and has an almost sixth sense connection to the Earth due to her Grandfather being a Native American who helped raise her in Wyoming. When she takes over the family ranch in Wyoming, she’s thrown into what looks like a simple effort to save the wild wolves, but that quickly expands into dangerous territory when her sleuthing uncovers a more diabolical plan revolving around untapped natural gas. She gathers old friends, including a local tribal Medicine Man and her ex-fiance, who is a rancher on the other side of the save-the-wolves cause, and together they trap the corrupt agency heads that took bribes. She does such a great job, risking her life in the process, that the Department of Interior creates a special task force of her friends and two others, to travel the United States to prevent destruction of artifacts, animals, and National Parks, Monuments, and treasures, with the team using advanced Edge Science technology, spiritual guidance, knowledge of the wild, powerful connections, and natural fighting instincts in ways no bureaucracy can prepare for or hide from. The amazing locations will provide backdrops that build awareness of protecting places like Yosemite, Zion National Park, Everglades, Carslbad Caverns, etc. R.O.I. ASSETS: MERCHANDISE, APPS, SOCIAL CAUSE.
ACTION ADVENTURE-SUSPENSE, GOLD SALVAGE
When a sports daredevil 25-year stud crashes his hang glider on a cliff on Curacao and it drags him almost to his death underwater, he pulls up hints of a sunken treasure tangled in his broken hang glider the next day. He’s got money so he hires a rag-tag underwater salvage team led by a gambling drug addict, and with submersible subs uncovers one of the many submarines Hitler filled with gold and sent to South America, many crashed in a huge hurricane in 1945. Word instantly travels, and European Germans loyal to the 3rd Reich fly down assassins to kill them for the gold, but the clever team out-smarts the Germans and escape with the gold, leaving enough for the zany, daredevil locals that helped them. R.O.I. ASSETS: BIG ACTION, EXTREME SPORTS, MERCHANDISE, SEQUEL POTENTIAL, SERIES POTENTIAL. Original novel by, Story by, and Screenplay Co-Writer Ian Feldman.
The Dragon's Triangle
GENRE – TRUE LIFE, AVIATION STUNT WWII FEAT
Shortly after Lindberg’s longest solo flight, two pilots flew around the world to be the first to cross the Pacific Ocean nonstop, but get caught up in WWII, and the Japanese air force’s top squadron The Devil’s Triangle demands their execution so that Japan can claim the crossing first, but our flying heroes are covertly saved by a Japanese woman and her Father who sneak them off the island only minutes ahead of the Japanese air force. The extremely different personalities of the these two pilots who began as stunt barnstormer pilots creates a dynamic character bond as they must save each other’s lives many times while flying a modified, stripped plane that hasn’t enough oxygen, has no heat, and must be filled with over 100 barrels of fuel to make it across the water. R.O.I. ASSETS: AWARDS, TERRIFIC TENSION IN FLYING SCENES, FAVORABLE CHINA PORTRAYAL COVERING BRUTUAL JAPANESE INVASION, POSSIBLY SHOT IN QINGDAO STUDIOS. Story by and Screenplay Co-Writer: David Rosten.
GENRE – INCREDIBLE TRUE STORY, WWII
In Africa, a 1-year old orphaned Cameroonian boy was adopted by a Jewish widow who 3 years later returned to her original city of Berlin, but when WWII started, the widow was killed in a genocide camp – yet the boy Karl survived due to his performing in the same camp for Nazi Officers, publicizing his incredible music talent. The wife of Hilter’s 2nd in command Hermann Goering arranged the boy’s “verbotten” removal from the camp, and he hid in the famous Carinhall Goering home for a year while the head of the SS (Himmler) hunted the boy to disgrace and execute Goering so Himmler could rule as 2nd under Hitler. After a series of nail-biting near-captures, Goering risked everything to smuggle Karl out via a contraband Cameroon flyer, and Karl ended up becoming the first Ambassador to Cameroon and a Professor and Speaker in England when he grew up, and the author of several acclaimed books. Karl is Cameroon/Nigeria’s greatest political history icon, and his story has never been told. R.O.I. ASSETS: AWARDS, HUGE NIGERIAN BOX OFFICE, MAJOR EUROPEAN SUCCESS, FILM FESTIVALS. Story by and Screenplay Co-Writer: Kenndrie Utuk.
GENRE – BIG ACTION-COMEDY SATIRE
When the Producer of a dangerous reality show accidentally kills off dozens of fans watching this reality daredevil show, the Producer is sentenced to prison in Louisiana. But the Producer convinces the crooked prison board to let him give (delete the words “the one”) Death Row inmates a chance at freedom if they are the last ones surviving the high-tech (illegal) warfare weapons trying to kill them on the course. Each mass murderer gets a ridiculous Insta, Twitter, and FB profile to gain sympathy, fans, endorsements from Nike, and the most “Likes” . The show instantly gets a billion viewers across the world. But when the Producer is forced to take the place of an escaping Death Row Killer on the 3 rd episode, he has to “become” a psychopathic killer and outsmart the final 5 that include a terrorist, cult leader, firebomber, cannibal, and Republican Senator that rigged a Supreme Court nominee. The entire series he invented was supposed to be a satirical look on how far “entertainment” will go to make money, and how corrupt officials can be bought if the most tasteless things gets them votes and power. The action set-pieces are incredible, and the warfare weapons are surreal they kill so well (and are based on current weapons banned by the Geneva Convention.) This is Network meets Natural Born Killers.
R.O.I. ASSETS: THEME PARK RIDES, GAMES, APPS, MERCHANDISE, TIE-INS, MOCK SPIN-OFF TV SERIES, SEQUEL FILM.
GENRE – ½ HOUR SITCOM, SPECIAL EFFECTS COMEDY
Alien civilizations finally must contact Earth because they reach the deadline for humans to be included in the Interstellar Galactic University. When 4 human teens are selected by lottery, they are beamed up to the Galactic University, and after going through incredible culture shock, find out that humans are the dorks of the Universe, which lets every episode revolve around absurd human beliefs and actions as the students learn new ways to be better creatures of intelligence. It’s “Animal House” in Outer Space with fantastic special effects for make-up and trickery. R.O.I. ASSETS: MERCHANDISE, MUSIC, THEME PARK RIDES, GAMES, APPS, FEATURE FILM SPIN-OFF. Creator by and Pilot Written by Scott Morgan
GENRE – BIG BUDGET MAGIC ACTION COMEDY
When a loser of a street magician inherits his grandfather’s nutty magic novelty gift store, he activates the multi-dimensional alert that the heir to the Magic Throne has been found, which makes him a target for the evil female angling to fill the vacant seat, so she tracks him down in Vegas where this loser is trying to pawn off the last of his grandfather’s memorabilia during the annual Magic Convention, which happens to coincide with the 100 year Negative Vortex Magic Assembly there, so it opens the door for dozens of hilarious creatures from other dimensions … but the public thinks they’re all part of the publicity campaign created by the casino! It’s Ghostbusters in Las Vegas, as our heroic lead realizes he inherited actual powerful magic, and must save the world and win the love of his life (his Magic Assistant.). R.O.I. ASSETS: HUGE MERCHANDISE, GAMES, THEME PARK RIDE, TOYS, TV SPIN-OFF, APPS, AND SEQUEL POTENTIAL.
GENRE – TRUE STORY, ACTION SPORTS, FAMILY FEEL-GOOD
Weeks after Hurricane Rita destroyed Cabo, with many competitors’ Marlin boats destroyed, a team of orphan kids led by a washed-up Mexican sports fisherman capture the biggest Marlin on the first day, ruining the plans of the cheating U.S. millionaire, and the kids take home $250,000 and start successful businesses that save the orphanage. This incredible true story captures the spirit, hope, and ingenuity of pre-teens, the recovery of an alcoholic loser, and the payoffs of meritocracy. R.O.I. ASSETS: FAMILY FILM, HUGE SPONSORSHIP FROM SPORTS FISHING YACHTS AND SPORTING GOODS COMPANIES WORLDWIDE, MERCHANDISE. Story by and Screenplay Co-Writer: Jeremy Anderson.
GENRE – TRUE LIFE, SPORTS, FAMOUS FEMALE BOXER
The true story of Gail Grandchamp, the only woman that once disguised herself as male to prove women are tough and skilled enough to box in the Olympics (after she broke her opponent’s jaw) and she later went on to be the first voice for female fighters, taking on the “Good Old Boy” Boxing Commission for years, and she was unseated as The Champ by the same female boxer that brutally sucker-punched in MILLION DOLLAR BABY. R.O.I. ASSETS: Boxing movies consistently hit big box office worldwide, and get Best Actor/Actress Awards; AWARDS, BOX OFFICE, MERCHANDISE. Fitness Industry Business Owner, Story by, Novel by, and Co-Writer: Gail Grandchamp.
GENRE – POLITICAL SUSPENSE, U.S.A./EUROPE LOCATIONS
A family needs to use their cunning and craft to escape the pervasive tentacles of the Dark State. The family inadvertently witnesses the assination of a candidate for president. They realize they must split up and take on new identities in order to not be killed. The billionaire puppet master behind the killing must track down and eliminate the family using tentacles of information provided by advanced technology and members of the Dark State that he controls. Family members outsmart evil in one exciting encounter after another. In doing so they uncover more of the mastermind’s plot to control the country, Including his use of body doubles killed on a yacht. Eventually 4 of the 5 family members are trapped and surely will be killed. However the renegade son has access to his father’s WWII fighter plane. Will they escape? Story by and Screenplay Co-Written by: James M.McCormick
GENRE – BASEBALL FILM, DRAM-EDY, SPORTS THRILLS.
The rising star of a pitcher surprisingly finds himself pitching the game of the century, and the incredible pressure as he continues after injuries makes this the underdog sports victory film that thrills fans and teaches family virtues, while throwing in plenty of action on the field and in Las Vegas where bets on him surviving the game go through the roof. R.O.I. ASSETS: Baseball films are consistent box office champs, tie-ins with Major League Baseball, Merchandise. Story by and Co-Written by: James M. McCormick.
The Climate Change challenge requires massive funding. The genius that has designed the most advanced weapons realizes that the only source of funds significant enough must come from the radical downsizing of the military spending of all countries. Both allies and foes.
His plan is to secretly repurpose the funding set aside for a next generation military submarine. Instead of a ship that can destroy enemies, it will be able to force global-wide compliance to divert all military spending to investments that will save the planet. This will deliver benefits to people of all origins and beliefs.
He knows that this will require seemingly impossible breakthroughs in both technical capabilities and the strategies of every country’s leaders. His wife that is a mastermind in developing plants that can consume carbon convinces him that this mission can be achieved, if the sub is invisible and with the right crew. This required recruiting 200 diverse specialists in technology and global political unity.
This spectacular action-adventure is cheered by humanity! Roadblocks posed by global leaders and military generals with varying strategies are confronted.
Survival comes down to seconds – who wins decides the fate of humanity. Co-Writer: James M. McCormick.
R.O.I. ASSETS: Games, Apps, Merchandise, Theme Park Ride, Spin-Offs, Climate Change solutions.
A high-action, fast paced Western presents the diversity of people that led the Oklahoma Territory to statehood. This exciting, wild adventure based on true characters is led by the famous Black U.S. Marshall named Bass Reese and his daughter Sabin, who worked with a half-blooded Cherokee named Kanati to take down The Dalton Gang. Sofia Montoya and Jenny Ableson represent the dynamic lesbian renegades that joined The Daltons, supported by the powerful Miguel Dunn from Mexico. The final year 1894 culminated in showdowns that propel this amazing story that shows diverse people fought for both good and evil.
PREY PUNKS PREDATORS
GENRE – TEEN SUSPENSE AND HORROR
Kids from ultra-rich families from Chicago to Detroit are sent to an exclusive, madly- expensive summer camp, but this year, a South Chicago teen running from a gang trying to kill him for witnessing their murders sneaks on the bus and pretends to be the kid that didn’t show up on time. In a surprise twist, a crew of elite mercenaries-turned-extortionists planned to hold the camp kids hostage on the second day up there. After killing off a dozen of them in a downriver canoe race, the mercenaries think they’ll get away with the $100 million ransom. But they didn’t plan on this black teenage boy’s street survival skills as he musters the geeks and misfit teens, who turn tables on the mercenaries, killing them off one-by-one in what looks like freak accidents, until it comes down to the end when the kids must wipe out the last 3 toughest assassins. R.O.I. ASSETS: TEEN SUSPENSE-HORROR IS ONE OF THE MOST PROFITABLE, LOW-BUDGET FILMED IN ONE LOCATION, ITS TEEN DEMOGRAPHICS THE BIGGEST, THE ORIGINAL WAYS OF KILLING THE BAD GUYS IS AWESOME TRAILER MATERIAL, SEQUELS, GAMES, APPS. Story by and Screenplay Co-Writer, Jim Edwards.
GENRE – ACTION, ACTION-ROMANCE, ASSASSIN
A top assassin goes to Jamaica to wipe out a crime family, but on his escape back to the USA he is tricked and drugged by a beautiful woman, who steals his kidney, but the delay forces her to inject him with adrenaline over and over to keep him awake and killing the gangs offered millions to keep them from making a getaway, and all this reveals the assassin and doctor have a past he forgot long ago, yet when he realizes it, he has to save her, and goes all out in some of the most original assassin/action scenes ever. This is a love story swallowed up in incredible action set pieces that make everyone root for their survival. When this award-winning script was first shopped, over 20 top Producers fought for the rights to produce it! R.O.I. ASSETS: AWARDS, AMAZING ORIGINAL ACTION FOR TRAILERS, SEQUEL. Story and Screenplay by Scott Morgan
GENRE – TEEN RAVE/MUSIC COMEDY ADVENTURE
Two Southern California guys (20’s) decide to throw a Rave in the style of Electric Daisy outdoor, they find a farmer whose entire season was wiped out, in him they find a do-or-die hilarious mentor. Meanwhile, as word spreads, two Adam’s Family types driving a dead body in a hearse detour for it, con artists set up to steal the entry fees, and a college forces their Dean to go, and he has a life-changing night, all while this is the last Rave for a top world DJ because he’s going deaf and serves as the “soul” of Rave culture going back to Grandmaster Flash. R.O.I. ASSETS: MUSIC, MERCHANDISE, APPS, TOYS, and maybe copycat Raves for years to come. Screenplay by Scott Morgan.
GENRE – SCI-FI SITCOM, TEEN ROMANCE
A high-school boy deemed the most uncool in senior year geeks around one night and accidentally taps into a Tesla vibration coil vortex that beams a beautiful teen girl from another dimension into his Galaxy cell phone, and she can only emerge as a hologram, so in her desperation to return to a cooler time and dimension she sneaks secrets of the future to him, making him an instant stud and top DJ – which leads to a romance – but at the end of season 1, her attempt to zip back ends up putting the boy into the Galaxy and sets her free, forcing them to let the parents, who were gradually figuring this out, in on the tech secret. It’s I Dream Of Genie in a Galaxy! R.O.I. ASSETS: MUSIC, GAMES, APPS, SAMSUNG’S DREAM MARKETING VEHICLE, LONG-RUNNING SERIES. Created by and Pilot Written by Scott Morgan
GO BIG OR GO HOME
GENRE – ACTION COMEDY, SHOT IN SOUTHERN U.S.A.
The Senior High School graduate voted “Most Likely To Succeed” ends up a total loser by the 10-year reunion, so he decides to fake success.
When his best buddy hands him his old ATM card, it now is a secret drug
lord’s DEA bank account, but our hero thinks it’s play money and empties the account. The
cartel boss and crooked DEA agent come after him. But thinks he’s on a survival reality show called “Go Big Or Go Home” which inspires players to take on the persona of a famous figure (in this case a drug lord) to win the prize. He’s killin’ it! Fooling everyone and delivering dreams-come-true for his ailing schoolmates. But realizes just as his reunion begins, there really are a dozen hit men trying to kill him and his new runaway girlfriend (who has nothing to lose.). So creating amazing ambush set-pieces, he saves his entire reunion class and becomes the hero they all knew he’d be some day. R.O.I. ASSETS: This all revolves around his 10-year old high school ATM card that accesses his stolen identity and is the McGuffin/secret weapon that saves everyone … a credit card company would see this as the opportunity of a decade for promotion and Brand building. Sequel, Music, Games, Apps.
GENRE – ROMANTIC COMEDY, SET IN SOHO/HAMPTONS
When a 30’s man that might be the cheapest guy alive scrounges tickets to an art opening for the richest in South Hampton, he falls in love with the gutsy art curator, and has to pretend he’s rich. Meanwhile, the awesome soul and
compassion he nurtured living among the poor makes him oddly popular, but having to actually dig into his miser savings is so painful it’s outrageously funny, then upon the death of his “Cheapskate Mentor” he learns being so cheap you cut out life isn’t the way to go, and he distributes his millions among the struggling artists that are homeless he befriended, opening a new art gallery with this woman who he won back.
R.O.I. ASSETS: VERY ORIGINAL ROMANTIC COMEDY PREMISE, BROAD DEMOGRAPHIC, AWARDS, ART LOVERS, MERCHANDISE. Story by, and Screenplay Co-Writer: Ali Asnuf
GENRE – CON ARTIST COMEDY, AFRICAN AMERICAN LEADS
A Black financial advisor that acts like the “whitest man alive” joins his billionaire client on a trip to a remote island off New Guinea, with the plan to rape the environment of natural resources like always. But they accidentally take the African Witch Doctor for a village back on the plane, and in his medicine herb kit, the financial advisor discovers what might be a cure for arthritis and aging, so he returns, but to win over the Witch Doctor and tribe, he tries to form a sort of gang based on pseudo Black history, and also get their help passing the Hunter/Survivor tribal test to “be a man.” This survival course delivers the wildest broad comedy pratfalls imaginable. But on his journey, he re-discovers the pride in his African-American heritage, and then is the only one that can save the Witch Doctor when he is kidnapped by the evil tribe on the other island. By the end of the movie, the billionaire made friends with the tribal Chief, and decides to preserve the island by giving the Chief $500 million to buy it officially from New Guinea. But when the billionaire yachts away, it turns out this is all just a huge con! The tribe are sophisticated con artists that pull off scams like this all around the world, proving they are smarter and more together than the white billionaires that underestimate them. It’s all about pride in their culture, working together, loving the family and hood, and being sharper. R.O.I. ASSETS: SEQUEL, MUSIC. Broad comedy films for Black audiences worldwide with crossover appeal to all other categories consistently prove to be huge profit-making films. Story by and Screenplay by Scott Morgan
GENRE – SITCOM, SCI-FI COMEDY
Twenty generations after their originals, the teenage spawn of the most famous monsters of literature have lost most of their powers but still suffer from the same weaknesses slightly, but they’re all just roomies after college in Las Vegas now, trying to blend in and be like normal 20’s landing their first jobs and falling in love. The spawn of Wolfman, Dracula, The Mummy, Frankenstein, Zombie, and Mr. Hyde cover up each others telltale family history in a freaky version of television’s most popular post-college sitcoms. R.O.I. ASSETS: MERCHANDISE, TOYS, GAMES, SPIN OFF FEATURE FILM, TIE-INS WITH VEGAS CASINOS AND MAKE-UP COMPANIES.
GENRE – TV SITCOM, MUSIC ORIENTED, HOT GIRL BAND
Five incredible singers/musicians form a girl band and hire two new 25 year old guys to manage them, but no matter how well they plan for success, every attempt backfires on them in hilarious consequences, with romances and the dirty dealings of the music industry adding dramatic comical scenarios they have to live through. R.O.I. ASSETS: Any time a sitcom or hour drama combined music with young, good looking singers, the show made a fortune and lasted many years (Glee!, The Monkees, Partridge Family, Pussycat Dolls, etc.). MUSIC, GAMES, APPS, MERCHANDISE. Created by, Pilot Written by Scott Morgan
GENRE – TRUE LIFE, DRAMA, ART, ITALY, RENAISSANCE
Michelangelo is known for his Art and Sculptures, but most people don’t know he was a giant of a man, lived almost twice as long as most people, survived an assassination attempt, survived 4 Popes, and was so strong he could sculpt faster than any four men. His life story from his childhood in a marble mine to his very end is incredible, and also very tricky to put into a single film, but by focusing on a specific theme of his life, finally his incredible story is told in a screenplay of 136 pages: his loves, his art, his demons, the many that betrayed him, the Medici family that mentored and sheltered him, and his rivalries with other famous Renaissance artists and Roman Church are all told, and will be cinematically captivating. R.O.I ASSETS: AWARDS, GLOBAL AUDIENCE, CHRISTMAS MOVIE, RELIGIOUS DEMOGRAPHIC APPEAL.
GENRE – TRUE STORY, WWII, JEWISH HERO
This pitch deserves personal revelations. Years ago, Morry Schechet, a truly wonderful and most humble man, came to me with his true story just years before he died of old age in his late 80’s. He grew up in a New York suburb, taunted by kids for being Jewish when he played street hockey, yet got along well enough. The Army had him enlist as an office staff for high-ranking local officers, but after D-Day he was suddenly pushed through extreme training down in Fort Bragg, where his entire squad was Southern and extremely anti-Jewish. He survived their hazings, but that wasn’t enough for their prejudicial mindset. Once they all flew over and entered battle, Morry’s superiors would force him out first on every charge, or to try out a pass that might be mined. They even strapped a flame thrower on him to charge a pillbox and when he wasn’t hit by the Germans they took pot shots at him until the pillbox was burning and he could ditch the flamethrower tanks. He survived all this, and even won over admiration from superiors originally prejudiced against him. But on his squad’s final push against a strong German line, the most hateful of all his squad (a Lt. he embarrassed by besting him in strategy and bravery) ended up trapping him in no-man’s land for a fight to the finish between the two of them, all this amidst the shelling by Germans. Morry survived the bombing, his most prejudiced enemy didn’t, and Morry returned to marry the love of his boyhood life in New York, and lived a long and successful life, leaving many loving heirs. This is one of the most emotional untold stories of bravery in WWII. R.O.I. ASSETS: AWARDS. Story by, Original Novel by, and Screenplay Co-Writer Morry Schechet
GENRE – SPORTS, TRUE STORY, LGBT THEMES, 70’S
The high school football star from rural Iowa in the 1970’s lives the perfect life with top grades and a healthy family home, but his complacency is thrown into chaos when a new student transfers in from San Francisco, and they’re put on the same debate team. Through their friendship and this new student’s wiser take on life, the football star realizes that he has always known he is gay, and has to decide whether to admit it to his family and when he gives the graduation speech. In an era when “coming out” meant incredible career risks and physical danger, this story stands out as a bright beacon of truth and courage for all decades following it. The details of the tense yet rewarding friendship are relative to any family, friend, and lover relationship. Story by and Screenplay Co-Writer: Richard Winzeler
GENRE – ACTION SUSPENSE, LOVE STORY DRAMA
When an animal rights hero goes extreme and starts killing people in the same way that they abuse animals (skinning mink farmers, feeding trophy hunters to lions, hooking fishermen to pieces) a female animal rights leader hires one of her most hated enemies – a hunter – to hunt down the insane animal rights activist to kill him before he discredits the cause, and along the way, the two accept the admirable qualities of each other, as the movie closes on their life-and-death chase of this insane mass murderer that is being championed as a hero for animal rights. All three of these leads are at the same time sinners, saints, and fools. R.I.I. ASSETS: AWARDS. Story by and Screenplay by Scott Morgan
GENRE – 1 HR COMEDY, NEW ERA FEMALE ROMANCE
When a group of college best friends decides to set up an Internet Influencer program that will bring the most eligible and sought bachelors to them, they embark on a global dating tour that highlights all that Instagram and dating sites promise – yet the true results are comically tragic, in this updated version of Sex In The City. R.O.I. ASSETS: STRONG FEMALE COMEDY/DRAMA ROLES, SOCIAL NETWORK STATUS AND REVENUE, FASHION, INTERACTIVE APPS. Sex In The City ran for many years, set new fashion, and sold in syndication for billions. The Interactive Apps and Influencer revenue will set new records for Streaming or Cable TV. Story by and Pilot Co-Writer, Francesca Kiran.
GENRE – TRUE LIFE STORY, CRIME, SENSUAL SUSPENSE THRILLER
A sharp Texas graduate goes to New York to audition for the premier exotic dance club, but on the first night she’s hired away by a high-roller in the tech world, who she sets up import-export offices for, until she discovers he is one of the biggest money launderers for South American drug lords. By now she’s in too deep to run, and has to work with him to find and deliver money stolen from the safe house, putting her in the crosshairs of both the drug cartels and the law enforcement agencies of the U.S.A.. Racing one step ahead of death-defying traps, she manages to get out and disappear alive with a new life, and enough money from locker 707 to start over. R.O.I. ASSETS: TRUE LIFE STORY, STRONG FEMALE LEAD, AWARDS, FILM FESTIVALS. Story by and Co-Writer, Francesca Kiran.
GENRE – CHILDREN’S MUSICAL, GREEN
A musical for children and family audiences that played well on stage in Northern California is set for a feature film, the story revolving around children ushered through the forest by a magical woman that shows how Nature lives and loves together, the songs and dance captivating children while delivering positive messages. R.O.I. ASSETS: MUSIC, TOYS, MERCHANDISE, ANIMATION SPIN-OFF, GAMES. Story by, Music by, and Screenplay Co-Written by Margo Jones
GENRE – 1 HR. SUSPENSE CORRUPTION DRAMA, S.F.-BASED
To her surprise, a 30’s, businesswoman from New York inherits her grandmother’s wine estate in Napa County, only to discover that a 30-year old secret involving murder turned the company into a front for massive corruption in the medical, political, and a cultish religion that includes almost the entire town, and she finds a secret ally in the unrecognized migrant worker that runs the vineyard who helps her solve the mystery of the One Child Curse, and all the other crimes the estate covered up until she arrived. R.O.I. ASSETS: AWARDS, IN THE TOP CATEGORY FOR STREAMING WINNERS. Story by and Developed by, and Pilot Co-Writer, Lisa Berman.
GENRE – EUROPEAN ADVENTURE, FEMALE LEAD, 1970’S
After graduating college, a young American woman devoted to fine art embarks on a solo tour of Europe, seeking inspiration and her own purpose in life, eventually settling in Crete to paint for months until returning to California. This type of adventure – where a young woman pursues her passion and survives several intense moments – shows the epitome of female strength and ingenuity on a level that is lost in today’s world, and should inspire artists, women, and everyone in a true life story of passion, survival, and celebrating how art evolves us individually. R.O.I. ASSETS: AWARDS, STRONG FEMALE LEAD, ART. Story by and Co-Written by Kathleen Virginia Parsons
GENRE – TRUE LIFE, FEMALE AFRICAN SUCCESS AND INSPIRATION STORY
Katarina is born in Nairobi, Kenya to an affluent family full of scholars, so she’s humiliated when tests put her in the lowest class level, dooming her to poverty. After years of low grades, her Mother home schools her, and through a brilliant Muslim gentleman named Abdul, Katarina overcomes dyslexia, graduates with honors, gets a dream job in Carmel, California, and falls in love with a successful older California man. Yet her life is unfulfilling because this man removed all challenges, so Katarina leaves him, gets two Masters degrees from UCLA and Northwestern, and after unlocking her potential by returning to study Islam, becomes an entrepreneur that travels the world and devotes her brilliance to improving life, especially for women, minorities, and Africans. R.O.I. ASSETS: AWARDS, MERCHANDISE. Story by and Screenplay Co-Written by Katarina Ayesha Yousef
GENRE – 1-HR. T.V. ACTION DRAMA, MALIBU, HORSES
This action-suspense series set in a real horse stable for Hollywood elites combines the beauty of prize horses and competition how it touches upon arenas of high-finance, glamor, status-seeking billionaires, international swindling, fraud, danger, and even spying. The horse trainers and stable owner become entangled in these arenas and unwittingly become assets of the C.I.A., and get in too deep to quit – all the while still in this for their love of the horses, training of new riders, and the beauty of Nature. While most of this series is set in Malibu, each season they compete in European events that add political intrigue and danger. R.O.I. ASSETS: MALIBU, HORSE/ANIMAL LOVERS, ORIGINAL ACTION WORLD, MUSIC, MERCHANDISE, TIE-INS. (While this isn’t really Baywatch on horses, television series set in the elite Hollywood/CA. social circuits run many seasons, makes fortunes in merchandise, and finds big worldwide distribution, ultimately leading to huge syndication sales and spin-offs. And for the record, the international horse competition world is rife with danger, crime, intrigue, wealth, power-seekers, drugs, human trafficking, animal smuggling, and beauty.) Co-Created and Pilot Co-Written by Victoria Faerber
GENRE – TRUE LIFE STORY, 1-HR. DRAMA, HOMELESS
An Immigration Attorney named Bea opens her office in one of the tougher areas of downtown Los Angeles. She’s worked in worse arenas, just having moved from Alabama where bigotry prevents her from doing her job. She loves her location and is curious about the people there. Three Hispanic brothers that became homeless due to early family drug addiction have kicked the drug habit, yet are now homeless. She befriends them, gives them work, and together they thrive to the point where they move the brothers into the back offices, and later a love affair begins between Dante and Bea. They get married and continue working to help immigrants and homeless people. The fact this is based on a true story shows there is some hope and ways out of extreme poverty and violent street life. R.O.I. ASSETS – AWARDS, SOCIAL VALUE.
GENRE – 1 HR EDGY DRAMEDY, D.C./WALL STREET
Fabian Norwood went from being a loser tailor to a mega-bucks playboy in the golden years of penny stocks, then moves from New York to Washington D.C. where sneaky investments go hand in hand with lawmakers, lobbyists, and politicians. He leads an office that uses the foulest language, wildest adventures, female eye candy, and stretching regulations to hook rich and powerful clients. This brazen, crude series shows how intense, cutthroat, and destructive the underbelly of the investment world can get. R.O.I. ASSETS: AWARDS, MERCHANDISE, POLITICAL GLAMOUR. Based on the book by Fabian Norwood and Pilot Co-Written by Fabian Norwood.
GENRE – ASSASSIN-SUSPENSE, 1-HOUR DRAMA.
An assassin who is from India and half-Caucasian is one of the elite assassins of the world, and is sent to Los Angeles to cover up the cybertheft of a new Department of Defense system of hardware and software that will wipe out any nations spying on U.S. Military work. But after murdering an entire family to cover up his stealing of this powerful new system, he goes rogue, as the cyber Cartel that sent him realizes he’s leading a disgraced Detective to solve the murder of his daughter ten years ago, and her serial killer is someone high up in the U.S. agencies. Now the U.S., India, China, and Mexican Cartels want Shiva and the Detective dead and send hit teams to kill them, forcing the duo to accept each other toward the end of Season 1 to survive, Season 2, they go after the Cartels and agencies that set them both up as fall guys. R.O.I. ASSETS: AWARDS, APPS, GAMES.
By 2030 entire nations are run by Big Tech, and they style major cities after top Games, so the user experience totally shapes life. Tony and his little brother JJ have always watched their father compete in the Retro Wave Grand Prix. Soon after his death, the two brothers aspire to continue his legacy. When recruited by the Retro City Pro Hover Race Team, Tony and JJ are overjoyed and they put their blood, sweat, and tears into making their team number one and making it to the top.
GENRE – CHILDRENS FANTASY, CGI, MAGIC, FAMILY FILM
A boy steals coins from a “Wish Fountain” and this alerts the Wish Defenders, half of whom are dedicated to preserving all of the past wishes, the other half of defenders are created to punish any child that steals the dreams and hopes of other people, and for the first time, the bad Wish Defenders have enough power to take over, so it’s a race against time as the boy meets his protectors and realizes that terribly bad things happened to other people who got their wish reversed when the coin was stolen. A great message for kids and families to keep wishing for the most important things in life like health, love, and virtues. Fantastic concept with highly original CGI action set pieces, based on a children’s book of the same name. R.O.I. ASSETS: TOYS, APPS, GAMES, MERCHANDISE, MUSIC, SEQUEL POTENTIAL. Story by, Novel by Michael R. Holm. Co-writer: Rick Foster
VARIETY SHOW, GAME/AWARD/WINNER SHOW
In Hollywood Pitch, everyday people get 3 minutes to pitch their idea for a film after they are “groomed” by professionals like Producers and established Screenwriters, and if the audience and phone votes pick the best, it gets funded. The top film in each genre gets “seed money” for attachments, and the final 3 winners get full funding for their films. R.O.I. ASSETS: WEEKLY VARIETY-REALITY SHOW REVENUE, MERCHANDISE, MUSIC, AND THE EVENTUAL FILMS BEING PRODUCED, TIE INS TO STUDIOS. Developed by, Co-Created by, and Pilot Co-Written by Robert A. Loving.
GENRE – FAMILY, TALKING DOGS ADVENTURE
An lovable Rottweilier is bred for dog fighting, but his dream is win a big kennel Dog Show, and when he escapes his brutal training and ends up in Beverly Hills, he first has to overcome the fearful prejudice of the nice poodles and terriers to prove he won’t kill them, which actually brings out the best in the other dogs, so they teach the Rottweiller how to win a show. But then the evil dog fight owner tracked him down because he’s part of a bigger crime syndicate scheme, and the small dogs come to rescue him, and he wins Best In Breed. R.O.I. ASSETS: FAMILY FILM, DOG LOVER FILMS, COMEDIC VOICES FOR THE DOGS, LOW COST ANIMATION OF MOUTH, TOYS, MERCHANDISE, DOG CLOTHES SPONSORS, SEQUELS, TIE-INS, LOTS OF ACTION OF GREAT DOG STUNTS FOR TRAILERS. (Consistently films wherein dogs had human voices made incredible profits: Beverly Hills Chihuahua, Call of the Wild, A Dog’s Purpose, etc.). Story by and Co-Screenwriter Charles.
GENRE – MUSIC SUPERSTAR, ROMANCE/MUSIC COMEDY
When a burned out famous rock star gives away his 1st class ticket and doesn’t board a plane that crashes in the Pacific, his music and tributes instantly skyrocket, so when he rises out of his drug-and-booze bender, his Manager takes him hostage in his basement to steal all the earnings. But the rock star escapes and impersonates himself through a look-alike promotion company, and finds out that not only did everyone think the persona his manager forced him to assume made him an asshole to the public, but that his real talent and desire as a musician was always in a very different sub-genre of music, so the promoter that falls in love with him re-creates him as a success while conning the Manager. R.O.I. ASSETS: MUSIC, APPS, MERCHANDISE, COPY-CAT BAND TOURS. Story by and Screenplay by Scott Morgan
Blood, Sweat, and Gold
GENRE-BIG ACTION ADVENTURE, FEMALE LEAD
The top company executives from a huge engineering company like Bechtel embark on a lux trip down the Amazon, but take the wrong fork and end up plunging down an illegal sluice for a renegade gold mine in the jungle, with only three of them surviving, and they are taken hostage by Quint, the jungle-hardened American treasure seeker that has the loyalty of the tribal people. The only engineer that survived is a defiant woman that agrees to engineer a safe mine in just weeks to prove she’s a good as the top execs that stole her ideas for previous projects, and she falls in love with Quint, who ultimately sacrifices himself to save her and ensure the tribe gets to own this massive gold find. Incredible original action set pieces, cultural ceremonies that inspire admiration for exploited South American tribes, and a great romance/love story made this one of the most sought-after screenplays decades ago, it was way ahead of its time and sure to get top actors in the lead roles. R.O.I. ASSETS: GREAT ACTION SCENES, ADVENTURE ROMANCE, STRONG SOCIAL MESSAGE FOR INDIGINOUS PEOPLE AND SAVING THE RAIN FOREST, AWARDS. Story and Screenplay by Scott Morgan
GENRE – TRUE AFGHAN WAR STORY, ACTION-COMEDY
The true war adventures of an Elite Army Ranger at the height of the Afghan War depicts the valor, personal hell, and also the ridiculousness of misguided commanders that has multiple agendas that often put our great military in danger. The sometimes hilarious satirical humor doesn’t belittle the honor and sacrifice of U.S. military – it just shows how tough war is on 20 year old men just trying to serve and survive to their highest potential, and get home alive, and how humor and sometimes risky stunts at least give them a way to vent pressure and enjoy being alive. R.O.I. ASSETS: GREAT ACTION SET PIECES BASED ON TRUE STORIES, AWARDS, COMING OF AGE, MERCHANDISE. Story by and Screenplay Co-Written by Nick Lee.
GENRE – TEEN SPECIAL EFFECTS GEEK ACTION FILM
An Asian cyberpunk underground discovers a global plan to crash the Internet and quickly recruits specially-skilled geeks and gamers to take down the criminal “Greatest Hacker” that realizes too late he’s been punked by insider gamers and geeks he thought would worship him. An Asian female teen lead, American male hacker, New Zealand Maori gamer, British electronic dance-off master, and a few other global geeks make for a terrific young, good looking cast, with most of their exploits based on real life events in the geek-skilled White Hat Hacker underground and Dark Net. Fantastic special effects in CGI, unique action set pieces make this a global hit. Filmed mostly in Asian cities. R.O.I. ASSETS: GAMES, APPS, MERCHANDISE, TOYS, THEME PARK RIDES, MUSIC, SEQUEL POTENTIAL. Story and Screenplay by Scott Morgan
GENRE – INTENSE DRAMA, ADDICTION, SENSUAL THRILLER
A highly successful Chicago accountant in 2010 has his whole life set up with a fiancée, friends, and big earnings, but gets pulled into the world of sex addiction, led by a sick mentor to discover underground sex clubs, and as it takes over his life, he breaks every mental and emotional “Red Line” until he realizes this addiction is a beast that will take his life and soul. His drop into this gritty underworld, what he suffers, and how he fights his way out is a mesmerizing cinematic journey into a tempting world full of eye candy and dangers, like a human car crash you can’t look away from, as a love-hate relationship with the lead male makes this an emotional thrill ride. R.O.I. ASSETS: AWARDS, FORBIDDEN SEXUAL TEMPTATIONS. Story by and Co-Written by Rodd Goldman
GENRE: SCI-FI, RELIGIOUS
The global top Space Exploration teams and NASA are baffled by the appearance of a “space anomaly” but no one cares because the entire world is caught up in rioting, economic collapse, and global pandemics. The top Astrophysicist first to decode its message begins having dreams and visions, all while his wife is dying of illness, and realizes this is the galactic equivalent of the portal to Heaven and dimensions that observe us in an E-8 reality, which rocks his world because he’s always been an atheist. This Sci-Fi mystery delivers a new version of how both Science and Faith are right that there is simultaneously a God and not the God we think, and his miracles and messages manifest in ways we never recognized. Deeply emotional, cutting edge science, and grand special effects makes this the “meaning of the Universe and man in it” movie of the decade, when the decade needs it most. R.O.I. ASSETS: TOYS, GAMES, APPS, SCI-FI FANS, SCIENTIFIC COMMUNITY, AND ALL REGLIGIONS ESPECIALLY CHRISTIAN, SEQUEL POTENTIAL.
GENRE – REALITY SHOW, FARMING, WINNER TAKES ALL
Now more than ever, people owe so much to independent farmers, the unsung heroes that keep us fed despite the daily assault of weather, trade policy, political pressures, local water regulations, financial challenges, environmental advocates, social media pressure, and the takeovers by giant Agri-Businesses. This reality show follows three independent farmers that try to win the contest to be the most admired farmer by vote and social media platforms. Their personal/family struggles, sudden setbacks, and fantastic moments of glory will hook audiences, while their fundamentals of respect for Nature, belief in God, and ability to feed so many gets deserved admiration. This show can be repeated with spin-offs in Europe, Asia, Australia, and South America. R.O.I. ASSETS: SPONSORSHIP BY BIG AGRICULTURAL MACHINERY COMPANIES, HUGE FAN BASE, SOCIAL MEDIA, APPS, MERCHANDISE. (Note: Duck Dynasty made about $400 million per year on their Brand, and was a segment of this demographic.). Story by and Series Co-Writer: Daniel San Diego
ASS-KICKED IN MOSCOW
TRUE STORY, F.B.I. CRIME, INTERNTIONAL CARTEL
In the 1980’s organized crime in Russia got so bad that the Kremlin made a deal with the F.B.I. to let them lead a manhunt for the top cartel bosses, which quickly resulted in the F.B.I. getting their ass kicked, many died, and all but one of them fled Russia declaring it impossible. Yet, the one F.B.I. agent, who is clearly nearly insane, hobbles a gang of cartel victims and the few Russian agents that are not on the take, and stage a trap that takes down one of the most powerful criminal cartels in Moscow, using combat tricks normally unsanctioned by any nation. The original action set pieces provide the eye candy, while the agent on the verge of insanity is a terrific new action hero. R.O.I. ASSETS: GREAT ACTION MOVIE, GAMES. Story and Screenplay by Scott Morgan
GENRE – BIG ACTION SUSPENSE, TORNADO-HEIST CAPER
Fort Knox sits across from Fort Bragg Tank training base, making it impossible to rob, except when a tornado strikes the area and the base deploys troops, and that’s exactly the opportunity a corrupt Army General planned for, when he uses his troops to beat the Fort Knox security system and begin robbing it. But they never planned for a wild-at-heart and ingenious tornado chaser, that uses his skills and launching devices to slow down the theft long enough for the tornado to hit Fort Knox dead center, wiping out the Army and making the chaser a hero by accident. Fantastic action and suspense set pieces, a great CGI tornado for sure, all based on real facts about Fort Knox and tornado chasers.! R.O.I. ASSETS: BIG ACTION C.G.I. THEME PARK RIDE, MERCHANDISE, TOYS, GAMES. (This screenplay was instantly set up for a bidding war, and it was getting a big Director attached when Twister was announced by Spielberg, putting it into turnaround, but this story is far more exciting and today’s C.G.I. guarantee a more mesmerizing tornado, making it sure to beat Twister’s $495 million in box office revenue, not including hundreds of millions on royalties since then.). Story by and Screenplay by Scott Morgan
GENRE – BIG ACTION SUSPENSE, ECO-DISASTER THREAT
The world’s largest oil Supertanker gets fueled up to make its maiden journey from the Houston Gulf when at the last minute the engineer for it is called in to adjust some security machinery, and he becomes the “fly in the ointment” for terrorists that hijack the tanker 12 miles off the coast and demand tens of billions or it will blow it up, destroying the Gulf far worse than the Deepwater Horizon disaster. The engineer uses the ships own machinery to kill the terrorists one-by-one in his cat-and-mouse game, once he finds out that the terrorists plan to make their escape using an almost-completed underwater oil pipe system. Fantastic and ingenious original action set pieces guarantee a roller-coaster ride of CGI effects and suspense. R.O.I. ASSETS: ORIGINAL CGI ACTION EFFECTS, ENVIRONMENTAL DANGER FANS, THEME PARK RIDE, GAMES, TOYS. (Note: Warner Brothers Silver Pictures Optioned this as a possible Die Hard 3, but opted out after Speed 2 and Waterworld were both hitting countless production problems filming something this big on the ocean, but now CGI removes that problem and rights reverted back to the author.) Story by and Screenplay by Scott Morgan
GENRE – TRUE STORY, WWII SUBMARINE
In World War II, an Allied reporter/espionage agent trapped behind German lines escapes and treks weeks over the mountains to reach a Greek port, to discover that the only way to stop this town from becoming a German stronghold is to escape in what is literally a museum sub from World War I called THE FEARLESS, and he enlists a die-hard team of oddball soldiers to steal it and lead the arriving German sub genius into a trap, ruining German plans for a secret attack. But the Fearless (which can barely hold air, engine is self-destructing, and has only one torpedo) loses its submarine Captain, yet against all odds they end up heroes by the time the Fearless gets safely to Italy. R.O.I. ASSETS: TRUE STORY, WWII AND SUBMARINE FILMS OFTEN GET AWARDS AND DO WELL IN THE BOX OFFICE. Story by and Screenplay Co-Written by Michael Radlovic.
GENRE – BIG ACTION, MYSTERY, CRIME, MEDIA CORRUPTION
A burned out policeman turned bodyguard survives a massacre at a K-Town Karaoke bar, and discovers it’s a front for sex trafficking and film piracy, with his only guide into this underworld the gorgeous Korean sex slave that knows all the top bosses and secret ways into their world. Magnificent urban action sequences take the duo face-to-face with the Korean mob, who is in partnership with police for the prostitution, and with the film studios who secretly sneak copies of films out of editing before a film is released so Korean companies can make digital copies and sell them in Asia, as an untaxed black market payoff worth tens of millions to the top Studio execs in on the scam. Loosely based on what’s really going on in underground K-Town. R.O.I. ASSETS: APPS, GAMES, MUSIC, SEQUEL POTENTIAL. Story by and Screenplay Co-Writer Jim Edwards.
GENRE – BUDDY MOVIE, PACIFIC COAST ADVENTURE
When one of the men in a lifelong group of surf buddies in their early 40’s is diagnosed with Stage 4 Cancer and only has weeks to live, his buddies take him on a final surf safari from Zuma down to Ensenada, doing their best to repeat stunts they pulled off when they were younger, including romancing local women, riding killer waves, having one last acid trip, dodging cops, and finally getting their dying buddy a last chance to go out riding the wave of his life – making it the last moments of his life like they all said they wanted to go out doing. R.O.I. ASSETS: VINTAGE MUSIC, SPORTS, SURFERS, AWARDS. Story by Tom
After life as a citizen for over a decade, former LANCE CORPORAL JOE CARTWRIGHT finds himself struggling in a field where his military expertise can’t help him; fatherhood. His daughter expresses her need for independence and acts on her desires without a second thought. This leads both of them down a path of drugs, violence and mistaken identity as Joe balances his tendency for control with his tendency for losing control. How will he protect a daughter who has pushed him so far away?
GENRE – RELATIONSHIP DRAMA, BASED ON A TRUE STORY
A marriage starts out with romantic hope, but soon dives into terrible confusion, emotional distress, financial problems, and clinical psychotic action in this story of how hard a husband will fight to keep a family together, safe, and still involved in the life of a delusional wife. This film offers the seldom-told story of a destructive and abusive marriage from the husband’s side, with him and his children the victim of a mentally-troubled and clinically diagnosed paranoid Mother. R.O.I. ASSETS: AWARDS. Story by and Screenplay Co-Writer: David Rosten.
GENRE – TRUE STORY, TRAGIC DRAMA, END OF LIFE WISH
A healthy Santa Rosa wife and teacher suddenly begins forgetting how to do normal things. At first she is misdiagnosed as just under stress, but then she and her beloved husband discover she has the brain disease called Frontotemporal Dementia, which is akin to Alzheimer’s but with more disturbing and hard, fast effects. She parks in a lot but forgets she needs to open a door and sits there until paramedics find her almost dead. Her husband watches helplessly as the woman he loved quickly fades away and is replaced by someone that cannot even eat or remember what shoes are for. Over 58 months, he tends to her increased needs, refusing to put her into a home, it wipes out his life savings, destroys him emotionally, but he is feeding her and holding her hand up to the last minute, when her brain literally forgets to breathe. Jim wrote his story as a final love note to the wife he took care of until the end. R.O.I. ASSETS: AWARDS, and public awareness of this disease becoming more common. Story by and Co-Writer Jim Griffin.
GENRE: SENSUAL THRILLER/MYSTERY
When Sarah (a divorced prominent Interior Designer in Georgetown) gets her son Jonah out of drug re-hab, progress looks good until Jonah falls in love with Hannah (a Transexual teen call girl) who lures him into child prostitution. But Hannah is the sex toy of powerful Political client that decides she knows too much and contracts her murder, only for it to fail because Jonah shows up and he disappears with Hannah in the D.C. child underground, which references PizzaGate. This puts Sarah on the street, faking it as a prostitute to find her son, and the tense suspense story culminates in what would have been a sadistic murder of both Jonah and Hannah, as Sarah outsmarts the Politician and he’s killed by Hannah, who vanishes, but manages to set Jonah up on the right path, out of street life and drugs. R.O.I. ASSETS: CURRENT SEX TRAFFICKING FOR POWERFUL POLITICIANS AND INTENSE COMBO OF SUSPENSE AND FORBIDDEN SEX MAKE THIS AN AWARD WINNER AND FILM FESTIVAL FAVORITE. Story by and Screenplay Co-Writer Cait Von Schnetlage.
GENRE – SPORTS, BASKETBALL, DRAMA SATIRE
A man suffers a brain injury that makes him lose his memory and be mentally detached from reality, so when his parents die and he inherits their estate, his old best friend, who turned into a con man, gets him appointed as the new basketball coach – but our hero doesn’t even remember being their top player decades ago, or the fact that he and his buddy caused the natural disaster that killed so many people over the years. Gradually, he regains his memories with the help of the old “love of his life” that he left behind. The problem with him is that his new persona was molded by a total racist, and he’s so disconnected with modern society that he thinks old Jim Crow prejudice is the norm, so this becomes a journey into racism and how someone can change, and also lift others out of racist problems. An edgy story that touches a lot of hot topics including racism, mental health, and toxic pollution. R.O.I. ASSETS: AWARDS, SPORTS. Story by and Screenplay Co-Writer, Jeffrey Kushner.
GENRE – DRAM-EDY, FEMALE WALL STREET BESTS MALE RIVALS
An investment firm gets some bad press, so they make a scapegoat out of the only innocent executive trader, who is a woman that challenged the company practice of cutting human interaction out of investment strategy. Weeks later, the next Wall Street Crash wipes out that firm, and most others, but the only rising star company was one that never got into Flash Trading, ETF’s, Wash Trades, and hyped Derivatives, so the 80-year old throwback boss hires this woman to run the skyrocketing fund. A first they clash, but soon they form a very unusual but highly profitable mentor relationship, as he works out his regrets over his own daughter relationship and she gets freedom to use new tricks to totally dominate the male Wall Street Good Old Boy posse that previously taunted her or were sexually-harassing her. The exotic mix of new employees she hires represent the sharpest recruits that were fired for not worshipping corrupt old men. R.O.I. ASSETS: This series hits all the right pain and pleasure points for home audiences in a series: corruption, female empowerment, lessons in morality, gender inclusion environment, questioning corrupt practices, and protecting good people from bad investment tricks, scams, and skewed press. Developed and Bible Co-Written by Orianna Morales.
BED OF NAILS
GENRE: SENSUAL THRILL, CON GAME, FEMALE LEADS
When a new, innocent girl Precious gets hired at a strip club, she’s quickly befriended by the lead dancer Lucky that excels in conning men out of their money, and the two form a female one-two punch of innocence and wickedness, which leads Lucky to conjure up a massive con scheme when Precious has an epileptic seizure on stage while dancing. The big twist comes at the end when Lucky discovers that Precious set up the whole massive con before she got hired, and takes everyone for a million dollars before moving on to her next unsuspecting victim. Despite this revolving around a strip club, there is no nudity in this film: it’s all about female wits and strength in the con. Screenplay by Scott Morgan
GENRE – INTENSE SENSUAL SUSPENSE, FEMALE LEADS
Three stories of women discovering power and the temptation to use it, as the lives of a female parole officer, high-class call girl single mother, and a woman going insane converge in this unique drama that challenges everything we know about abuse or good use of the power inherent in females. The extreme intertwined storylines are sure to surprise audiences and the characters attract top name actresses in this controversial film story. R.O.I. ASSETS: AWARDS. Story by and Screenplay by Scott Morgan
GENRE – FEMALE LEAD, SEXY HYPNOTISM SUSPENSE DRAMA
After 15 years using hypnotism on men to get to their money, a gorgeous female master
hypnotist Sapphire decides to pass down her skills to a neighbor girl Jill, who ends up having no
control over how far she will push hypnotism in a power-hungry drive to riches. At the same
time Sapphire meets a serial rapist and in revenge destroys his mind all the way down to
jellyfish identity to rebuild him for a life of uncontrollable, humiliating reactions to triggers.
When Sapphire tries to limit Jill they fight, and Jill sets up a bank heist. But Sapphire’s been at
this long enough to know how to limit damage control, and both women get away with a
fortune to begin new lives. This will be the first feature film that will cinematically and audibly
be hypnotizing, leading to games, apps, and amazing theater immersive experience. Sequels,
merchandise, fan club, and more.
GENRE – MUSIC, 1950’S, BLACK DUO, BASED ON EVENTS
From the 1940’s to 1970’s musical groups of black musicians transformed the music industry, yet their songs and style were often copied by Caucasian groups and music producers. The Rhythmatics may be a fictional group, yet their story is based upon true events that several groups went through, their whole inspiring story told in a flashback during a gang war in South Los Angeles, when the last surviving lead singer is taken hostage and the gang learns just how important he was to emerging black voices and rising prosperity. R.O.I. ASSETS: MUSIC, AWARDS, CROSSOVER APPEAL TO ALL AUDIENCES, MERCHANDISE, VERY LARGE BLACK DEMOGRAPHIC APPEAL. Films in this music genre staring black leads in the band consistently return fantastic box office and music revenue (DREAMGIRLS, RAY, SPARKLE, THE WIZ, PURPLE RAIN, THE FIVE HEARTBEATS, WHAT’S LOVE GOT TO DO WITH IT, FIGHTING TEMPTATIONS.). Story by and Co-Writer of Screenplay: Ross Cooper.
GENRE – ADVENTURE COMEDY, MUSIC, POLITICAL SATIRE
A callous and un-liked dying President makes a mistake in his final will and gives his fortune to the poor Gospel Black Church, not the high-society super rich Church across the street where he goes. The rich church would delegate his power after death, so the rich church tries to take down the poor church, but everything they scheme ends up helping the poor church do more good for the community. During all this, the son of the Minister of the rich church falls in love with the choir director of the Black Gospel church, and together they make sure the inheritance stays with them, and the rich church gets “owned” and humiliated. R.O.I. ASSETS: MUSIC, CROSSOVER APPEAL TO BOTH BLACK AND WHITE AUDIENCES, RELIGIOUS MOVIE-GOERS. Story by and Co-Writer, Ross Cooper.
GENRE – HIGH SCHOOL WITCH COMEDY
An old witch gives her granddaughter a graduation gift of magic powers for one day, and the high school girl accidentally conjures spells that make all boys fall in love with her, popular girls dying to be her best friend, and worse. But when the grandmother gets in a minor car crash and is unconscious the spells cannot be undone, which leads to comical disaster – the moral being “Careful what you wish for.” A teen love story with big comedy action set pieces and special effects, like Heathers but with magic.
GENRE – SUSPENSE-HORROR/SHOT IN SINGAPORE
An acclaim scientist/inventor hits his deadline to find a cure for blindness and injects himself with the untested artificial retinal nerve, in hopes he can give sight to his blind son, but discovers the nerve carries the visual memory and past of the donors, and must race time before this kills him because he’s manifesting terrifying realities, in one of the most original, thought-provoking scientific nightmares in years. R.O.I. ASSETS: Sequels, Theme Park Rides, Apps, Games, Merchandise. Story by and Co-Writer: Ross Cooper.
Rabbi Kahane is one of the most significant and controversial American Rabbi’s. His commitment to ending the persecution of the Jewish people in Russia led to the attack of the Russian Aeroflot office and the formation of the Kach party. While his actions were extreme, his role in putting a spotlight on Jewish persecution worldwide is cemented in history. This surely is one of the richest roles for a top male Jewish actor to play.
Porfirio “Rubi” Rubirosa was one of the most illustrious diplomats in history. A champion polo player, race car driver, lover, prankster, soldier, and some even say an assassin – Rubi thrilled the jet set. His friends included John and Jackie Kennedy. He married two of the richest women in the world. His sexual prowess led to his nickname “always ready.” He came back on the final weeks of his life to lead his polo team to victory, which was unheard of at his age. Rumors say he was diagnosed with a terminal illness and instead of telling everyone he gathered his best friends in an exclusive nightclub in Paris, and then crashes his Ferrari at over 100 miles per hour in what most say was a racy way to commit suicide. One of the juiciest roles any Latin or Spanish actor could love to play.
President Harding was just too nice to be President. His Cabinet took advantage of him and also made him a scapegoat for the infamous Teapot Dome Scandal. His power-hungry wife drove him on, and to this day rumors that she murdered him before he could publicly take blame for any woes he set on the American people still dominate his death while riding on the train to make his speech. A fascinating man, who had a child with a Black woman out of wedlock when he was President, and is himself rumored to have African blood in his ancestry. A truly fascinating true life story, and great role for an actor to play.
GENRE – TRUE STORY, MUSIC/BALLET/WAR ARENAS
In the late 1800 in Barcelona, one of the most gifted pianists in music history met the love of his life, who saved him from drowning, yet young Enrique Granados was poor and Amparo Sabater was high class, and their courtship was refused. To make it worse, Enrique’s Father killed Sabater’s son on the warfront. Amparo became a trained dancer and ballerina and thought Enrique forgot about her. But these destined lovers were unknowingly pushed together by rich mentors of music and dance again and again, with everyone romanticizing how the two expressed passion through their gifts. And even an aristocratic woman Clotilde fell in love with Enrique, and paid for his recovery from typhus, yet saw the tragedy in romance this deep. Enrique and Amparo ultimately died when Germans sank their cruise ship returning from New York after a debut that guaranteed him a place in music history, and Clotilde watched over their children and visited Enrique’s grave every year until she died. They represented the end of an age of romanticizing arts and dying for love. R.O.I. ASSETS: AWARDS, FILM FESTIVAL WINS, ART AND DANCE FANS. Story by and Screenplay Co-Writer: David Rosten.
GENRE – 1-HR. TV DRAMA, SCI-FI, TREASURE HUNTERS
When the old couple owning a salvage shipwreck company is burned alive in their dock house in South Carolina, their daughter takes over, and the surprise appearance of a disgraced British Naval Officer that saves her life reveals the deaths were not an accident. While he is all technology in salvage hunting and she is all mystical and works with psychics, they both realize they are descendants of famous pirates, and have always been hunted and killed for crimes they didn’t commit. Now they have to solve the mystery in the deadly underworld of modern ocean shore pirates. The cast forms one of the most diverse and fascinating cultish team, hunting down hidden treasures from the Gulf of Mexico to Maryland. R.O.I. ASSETS: FEMALE LEAD, LOVE INTERESTS WITH MALE BRITISH LEAD, MAGIC UNDERWORLD, ADVENTURE, MERCHANDISE. Co-Created by and Pilot Co-Written by Lisa Berman.
GENRE: T.V. MINI-SERIES, TRUE LIFE, CRIME, 1930’S-60’S, WAR
The untold story of the greatest marksman in the nation for decades, who bullseyed some of the legendary gangsters in the Chicago area, then heroically saved untold numbers of American soldiers in World War II, and ended his life creating the sniper school training for the Marines and government agencies: this is the story of Walter Walsh, an unassuming man that raised a family on simple virtues, risked his life dozens of times, and from his point of view lived through an amazing number of shoot-outs, war ambushes, and gangsters. R.O.I. ASSETS: TRUE STORY, AWARDS, WWII. Story by and Screenplay Co-Written by Sam Chernin.
DRAMA, LOVE STORY, NATIVE AMERICAN THEME
A female graduate named Isla from Washington D.C. is given an assignment to work with the Native Americans for a Habitat For Life project, and meets Elan, a Native American that guides her through it. They form a love interest that is broken off when an old flame for the man appears from Peru. Isla returns to D.C. and gets hired by a major NGO. Ten years later, Elan comes to D.C. for his projects, and the love between him and Isla re-ignites. Ultimately, Isla returns with Elan to the Tribe’s region to work on improving life for them. R.O.I. ASSETS: AWARDS, SOCIAL IMPACT. Story by Lisa Berman. Screenplay by Lisa Berman + Scott Morgan.
GENRE – TRUE STORY, AFGHAN SUCCESS, WAR
In the 1960’s, Mohammed grows up a boy-genius in Afghanistan but is persecuted by tribal elders until he wins the student lottery and gets sent to Kansas, America for high school and college in engineering. Russia takes over the region as the military hires him to engineer the most important dam, which he does to perfection. Yet, he’s scheduled for murder for his years in America, so he smuggles his family across the border into India, where he barely keeps his children alive until the Kansas family gets an Ambassador involved and they smuggle him to the United States, where he settles with his family in Santa Maria and lives a long life as a famous Engineer. This rags to war to riches story is an inspiration to appreciating the value of all people, regardless of origin, religion, or appearance. R.O.I. ASSETS: AWARDS, FILM FESTIVALS. Story by and Screenplay Co-Writer Mohammad Gul Mohabbat
GENRE – CON ARTIST COMEDY
A quartet of con artists that use make up to impersonate old people, infiltrate rich retirement communities, then con the oldsters out of their life savings moves operations from Florida to Orange County. Their con involves a new drug that makes people younger. But the Florida victims track them and hire a team of 30’s actors to put on costumes and make up to look old, and they gradually look younger, which cons the con artists who are at the same time drugged to be delusional, and the old timers scam the hundreds of millions that the original con artist team stole and invested well over 10 years, making this a “sting on a sting.” Along the way, the good guys develop two romances, one between old people and one between the young actors. R.O.I. ASSETS: AWARDS, MERCHANDISE. Story by and Screenplay Co-Writer George Stroh.
STREAMING SLATE #1
All of these series were singled out as far more interactive, popular, and profitable if presented specifically for Streaming platforms. These will integrate some of the Blockchain/IoT/Augmented Reality breakthroughs of C.I.T.. There will be versions of each project in both English and Chinese, with the shows recognizing and respecting the cultural differences to make each show fit the audience in each nation more accurately and on a culturally-nurturing level.
Secret Special Project #1
PEOPLE AND ANIMALS, VARIETY
The high-revenue reality of this Streaming Show is go great, that even showing you the title of it would make it worthy of a company to steal. All Creativity First Films can tell you is that: 1) it will be shot in both China and the United States with citizens of each nation in its own language; 2). It is a variety talent competition show; 3) it will be the biggest hit of a non-scripted Streaming Series in history. The R.O.I. is beyond all expectations, and just this show alone will return over $1 billion per year in revenue in ads, merchandise, toys, Apps, and more. Story by Robert A. Loving, Bible for Series Co-Written by Robert A. Loving.
GENRE – MUSIC, REALITY
Like Project #1, just telling the title of this is series would risk I.P. theft, it is far too profitable for a Producer or Network to not want to steal. I’ve been in the industry 30 years. Not a single one of the previous films or shows had to be kept secret for any reason. These show, and the one above it, is too tempting, and people will risk lawsuits for stealing it to get the money from racing ahead to producing it when they read it. The audience for this is massive, young, and active on all forms of social media. It will be a massive hit, generating many streams of revenue, with annual profits over $1 billion. Story and Streaming Series Created by Scott Morgan
GENRE – ART ADVENTURE LOVE STORY FOR 20-30’S
Lita lived the life of an artist since she was born, and has all the personality problems of a female consumed with a need to create and seek the greatest art of all time. Her boyfriend is the only man she loved enough to make room for, yet she leaves him without warning and with no way to contact her. But, the art she created and the art stories about history artists she shared with him give him clues on how to catch up with her. Once he finds the first clue, and realizes he just missed her, this begins a rush of travel to catch up with her. This will be the first Augmented Reality series ever created, with Lita filming her every stop, and him just behind her, able to use Augmented Reality to find the clues in each location she set up for him to find. The audience will be involved via the Internet to figure out the clues and try to help the two get together, and on the journey she is proving she loves him more than art, and he loves her than who he thought he was limited to be. The adventures will be filmed in both China and the United States and Europe, and Lita leads him on a journey through the centuries to how and who created the great works of art for both Eastern and Western Cultures. China will have Chinese stars. Blockchain will allow for transparent interaction for fans. R.O.I. ASSETS: HUGE GAMES, APPS, EDUCATION, AUGMENTED REALITY, MUSIC, MERCHANDISE. Story and Web Series Written and Created by Scott Morgan
GENRE – REALITY-APP SHOW
This idea is too grand in its potential to explain or even show the title. This show will capture the energy of all the Social Media. R.O.I. ASSETS: APPS, MERCHANDISE
STREAMING SLATE #2
GENRE – COLLEGE ANGST, COMING OF AGE, COMEDY
Based on the true story of a Purdue Graduate giving the Valedictory Speech and had a nervous breakdown when he started, and he suddenly told the truth about what he sacrificed as a human being to be the top of his class. This story begins with Parker changing his speech, explaining the pressure from his family, against other students, turned him into a freak, devoid of life’s experiences or the joys of youth, and every company eager to hire him cancels all offers. His parents shame him, so he sneaks out at night and takes a bus to discover the nation and people he never got a chance to see or know. But on that night, the bus he is in crashes and he rescues all 9 children on board, making him a hero. He ends up in the hospital, a hero, but confined to bed due to injuries. A girl who lived in a bubble because she had no immune system sneaks out of her bubble to meet him in the middle of the night, and he finds out she faked it because she was afraid of life. The two escape, and begin a cross-country trip that enraptures them with outrageous real experiences, all the while pursued by a tabloid exploitation journalist. When he finally catches up with the young lovers, he realizes he’s just as bad, and the three escape all roadblocks and ride into Las Vegas on a suicide mission, only to be saved from death at the last moment, all because the journalist sacrificed his life to fool the FBI. Or did he. Season two follows them again. A fantastic love story of a young man and woman that life lionized for all the wrong reasons, the inflexible system forsake them for all the wrong reasons, but the world of people that believe in freedom and love supported them for all the right reasons. Students in both the United States and China are under incredible pressure, and many feel lost. While students globally share Angst, the only way to properly capture the Angst is by filming one version for the U.S. in English and one version in China in Chinese. Whichever Streaming Giant buys this Slate, they will enjoy a share of revenue from both versions. This is a first in Streaming, and will pay off grandly. R.O.I. ASSETS: EVERY CITIZEN IN ASIA AND THE U.S.A. THAT WORRIES ABOUT THE FUTURE, DOUBTS THEY HAVE WHAT IT TAKES, WONDERS OF VIRTUE STILL MATTERS, WISHES THEY COULD EMOTIONALLY INSPIRE AND TOUCH OTHERS, BUT KNOWS THEY DESERVE TO FIND OUT. (Note: this screenplay beat out over 3,000 challenges to be 2nd place in the most competitive screenplay contest in Hollywood, and landed Morgan his first major agency representation and opened the doors to studios.). Story and Screenplay by Scott Morgan
GENRE – REALITY SHOW, ART + INNOVATION
This Reality Show will visit children and adults that have incredible artistic gifts, and or are innovating in technology. The series will put the spotlight on their talents and creations, and some will gain funding for future work. R.O.I. ASSETS: APPS, THE ART AND INVENTIONS. Story By and Bible Co-Written by Robert A. Loving.
GENRE – REALITY SHOW, SPORTS, FISHING
Fishing in lakes and streams within cities is a billion dollar industry with millions of anglers worldwide. This Reality Show visits locations and interviews then films local fishermen. This also highlights the need for states to preserve these wildlife environment and waters. R.O.I. ASSETS: MERCHANDISE, TIE-INS, SPONSORS. (Note: The series Bass Fisherman made hundreds of millions of dollars and created original merchandise and patents still selling now, which means this show brings both immediate royalties and long-term royalties.) Story by and Bible Co-Written by Robert A. Loving.
GENRE – REALITY SHOW, CONTEST
The greatest nightclubs in the world are located mostly in only a few cities: New York, Shanghai, Tokyo, Miami, Paris, London, Las Vegas, Los Angeles, San Francisco, Seoul, Singapore, Bangkok, Moscow, etc. Each season follows 4 nightclub promoters from 4 cities. The first 4 will be Las Vegas vs. New York, and Shanghai vs. London. The second season will be Bangkok vs. Tokyo, and Miami vs. Moscow. These clubs draw the top D.J.’s, spend millions on light shows, set up Augmented Reality, create massive theme experiences, and hire Celebrities and Infuencers to show up. The series begins with the promoters presenting the theme for this year, and each episode shows what they are achieving to get to opening night which is 5 weeks from the start of the show … and five episodes follow in which fans get virtual tours and get to interact online with what’s on the show. The experiences will be Interactive with fans. R.O.I. ASSETS: MUSIC, MERCHANDISE, APPS, GAMES. Created by and Written by Scott Morgan
GENRE – COMEDY, NEWS SATIRE SITCOM
Big news gets released from Silicon Valley, Wall Street, China, and other Asian nations about technology innovations, the latest Unicorn, Social Media problems, etc. This series happens in two news rooms, one in San Francisco, the other in Shanghai, as they report on a combination of fake funny news stories mixed in with real news stories. The episodes illustrate what billionaires, investment companies, and tech companies will do to gain more followers, increase value, and centralize power in innovation. There will be interactive links to the show, and soon Augmented Reality. This show includes Screamin’ Streamin’ reviews. R.O.I. ASSETS: APPS, GAMES, MERCHANDISE. Created by and Bible by Scott Morgan
GENRE – COMEDY, SKITS, FAKE NEWS
Five beautiful witty young women host a skit series that highlight, “News You Didn’t See Coming.” These are all elaborate fake news or opinion guest panels. Very witty, and the five young women will all become celebrities that create vlogs or influencer profiles that normally would make them idols, yet due to twists in them, the posts make a mockery of them. It shows how fragile the hold on approval by the masses is, and how dangerous social media can be. This show will be Interactive with fans. This show includes satirical skits on “The Sexiest Screenwriter Alive,” “Museum of Human Nature,” “Behind the Scenes of CreativityFirst Films,” “News You Didn’t See Coming,” etc. Created by, Bible by, and Skits by Scott Morgan